Thematic Anyalysis of the Book of Acts Part 1 - 1334 Words

Thematic Analysis Template Student: Copy and paste the down arrow ( ) into boxes to show that a unit of material is continuing.Copy and paste the left arrow ( ) into boxes to show where a unit of material ends. | Paragraphs(Submit in parts 1-3) | Immediate Context(Submit in Parts 2-3) | Major Points(Submit in Part 3) | Major Sections(Submit in Part 3) | Theme(Submit in Part 3) | 1:1–5 Introduction | | | | 1:1–28:31 | 1:6–11 The Ascension | | | | | 1:12–14 The Upper Room | | | | | 1:15–26 Peter Speech | | | | | 2:1–4The day of Pentecost | | | | | 2:5–13 The Crowd were bewildered | | | | | 2:14–21 Peter’s Sermon | | | | | 2:22–28 Men of Isreal listen to words | | | | | 2:29–36†¦show more content†¦| | | | | 13:44-52 Paul turns to the Gentile | | | | | 14:1-7 Acceptance and opposition | | | | | 14:8-18 Lame from the Mother’s womb | | | | | 14:19-23 They stone Paul | | | | | 14:24-28 The report all things God done | | | | | 15:1-5 The Council at Jerusalem | | | | | 15:6-11 The Apostles and elders meet | | | | | 15:12-21 James judgment | | | | | 15:22-29 leading men among the breather | | | | | 15:30-35 Congregation together | | | | | 15:36-41 second missionary Journey | | | | | 16:1-5 The Macedonian Vision | | | | | 16:6-10 Call to Preach the Gospel | | | | | 16:11-15 First Convert in Europe | | | | | 16:16-18 divination spirit | | | | | 16:19-24 Paul and Silas imprisoned | | | | | 16:25-34 Paul and Silas praying | | | | | 16:35-40 The Jailer is converted | | | | | 17:1-9 Paul at Thessaloncia | | | | | 17:10-15 Paul at Berea | | | | | 17:16-21 Paul at Athens | | | | | 17:22-31 Judge the righteous | | | | | 17:32-34 heard of the resurrection | | | | | 18:1-4 Paul of corinth | | | | | 18:5-11 Paul devoting to the word | | | | | 18:12-17 The Jews rose up against | | | | | 18:18-21 Paul keeping his vow | | | | | 18:22-23 Paul greeted the Church | | | | | 18:24-28 Third missionary Journey | | | | | 19:1-7 Paul of Ephuesus | | | | | 19:8-10 Paul enter the synagouge | | | | |

Should Nurses Become More Socially Aware Of The Elderly

Nurses becoming more socially aware of LGBT elderly individuals can greatly affect the quality of life of the entire LGBT population. When discussing about LGBT individual, most people don’t consider the elderly population. A lot will focus on LGBT youth and not a lot on the older individuals who have paved the road for LGBT youth to experience a better quality of life than they did. It’s unfortunate that the elderly population is forgotten about in general and in LGBT circles. According to the article â€Å"Adding silver to the rainbow: the development of the nurses health education about LGBT elders (HEALE) cultural competency curriculum† found that: â€Å"One of the most common medical risks for LGBTQ persons is the avoidance of routine health†¦show more content†¦The module ‘HIV and aging’ focuses on the transmission, antiretroviral treatment, and history of HIV while also discussing the importance of HIV testing in the elderly populat ion. The HEALE program can help everyone in the LGBTQ community because a socially smart nurse and doctor can help LGBT patients remain healthy. There is an organization with the name ZAMI National Organization of Black Lesbians on Aging (NOBLA) that offers support to Black lesbians 40 and older. In the article titled: â€Å"ZAMI NOBLA: Preserving History and Fostering Wellness in Black Lesbians† by Mary Anne Adams and Tonia Poteat, discusses the history of the organization, explains the people being served, and the importance of the organization. This organization was created by Adams because in her research she noticed that: â€Å"†¦Black lesbians older than age 50 were beginning to disappear from community-based activities and organizations† (2016). She theorized that health issues and ageism might be to blame. Doing more research, she found that: â€Å"†¦Among older LGBT adults, about 50 percent have a physical disability, and 33 percent report depressio n† (Adams Poteat, 2016). The mission of this organization is to â€Å"†¦affirm and empower Black lesbians older than age 40 through education, research, resource sharing, and leadership development† (Adams Poteat, 2016). ZAMI NOBLA also shares history and does storytelling of other Black lesbians like RuthShow MoreRelatedThe Growing Trend Of Elder Abuse Essay1595 Words   |  7 Pagesemotional, neglect both by a caregiver or self-neglect, abandonment, psychological , exploitation financially as well materialistically including fraud (Clark, 2015, p.914). With an estimated doubling of the elderly population by 2025 to at least 1.5 to 2 million, increases in the number of elderly person in the nation also means there will be an increase in elder abuse (Aravanis, Adelman, Breckman, Fulmer, Holder, Lachs, ... Sanders, 1993). 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A place to create and contemplate Essay Example For Students

A place to create and contemplate Essay No one can claim that the Saratoga International Theatre Institute, the new joint venture of directors Anne Bogart and Tadashi Suzuki, lacks ambition. The printed program created for SITIs opening season begins with a manifesto, an immediate signal that the institutes founders consider themselves to be on a mission, hoping to do no less than revitalize the theatre from the inside out. This past September, besides conducting acting workshops and a symposium entitled A Theatre Towards the 21st Century, the directors presented contrasting productions both based on Euripidean originals: Suzuki directed Dionysus (his own adaptation of The Bacchae) and Bogart chose Charles L. Mee Jr.s version of Orestes. We will write a custom essay on A place to create and contemplate specifically for you for only $16.38 $13.9/page Order now Bogart and Suzuki met about four years ago in Toga, Japan, where Suzuki has established his own company and international festival. According to Bogart, the two quickly developed a strong relationship, based on mutual respect and formed by a shared concern with the current state of the art. Both talk of the others will, of a compulsion to make things happen, to create as well as contemplate. Although they had discussed the possibility of joining forces for a couple of years, it was only this past January, according to Bogart, that they decided, Now is the time to start. Saratoga Springs was Bogarts suggestion. She first spent time at the historic upstate New York resort in the mid-70s, and found its variety appealing; of the towns two museums, for example, one is devoted to the history of dance, the other to horse racing. The city has been extremely receptive to the project; SITI has benefited in particular from the generosity of two local institutions, the Saratoga Performing Arts Center (the summer home of the Philadelphia Orchestra and the New York City Ballet) and Skidmore College. There were two great coincidences surrounding this whole plan, says Bogart. First is the fact that Saratoga, in Japanese, means New Toga, which I didnt know until months after I suggested it; the other coincidence is that, completely on our own, we both decided to start with plays based on Euripides. Although the two productions share an ensemble company, they couldnt be more divergent in stylistic approach. Although Suzukis Dionysus includes contemporary imagescharacters in wheelchairs, for exampleits tone remains classically concentrated and intense. Actors remain motionless for long stretches of time, never diverting attention from the central conflict. They speak mostly in voices that reach for chthonian depth. Every speech is bounded by its physicality, as actors stand their ground, their faces so frozen that they sometimes seem like classical masks. When Agave discovers she has killed Pentheus, her own son, she cradles his decapitated head in her arms without looking at it and, almost in slow motion, sinks to the ground as if she were melting. In Bogarts Orestes, actors rarely stand still and, following the lead of Mees text, images from todays mass culture abound. The play is set on the White House lawn following the Persian Gulf War, and is peppered with references to the Thomas/Hill hearings, the William Kennedy Smith trial and other chapters from what Bogart describes as our societys malfunction. The director adds visual and aural eclecticism as well: Helen of Troy, played by Tina Shepard, enters at one point carrying a Coca-Cola can and wearing a tight yellow dress, speaking in a tone that seems more appropriate for prime time than Greek tragedy. At another point, a man dons a gas mask and relates, in a voice devoid of emotion, how he murdered his sister. These two directors bring to each other a great deal of contrast, says actor Eric Hill, who with only a two-hour break went from playing Cadmus in Suzukis Dionysus to Menelaus in Bogarts Orestes. They are philosophically linked in their desire to change the status quo, but their artistic sensiblities are quite distinct, which I think is valuable. They attack problems from very different angles. .uab0affde9610527d17935ece7cbb3462 , .uab0affde9610527d17935ece7cbb3462 .postImageUrl , .uab0affde9610527d17935ece7cbb3462 .centered-text-area { min-height: 80px; position: relative; } .uab0affde9610527d17935ece7cbb3462 , .uab0affde9610527d17935ece7cbb3462:hover , .uab0affde9610527d17935ece7cbb3462:visited , .uab0affde9610527d17935ece7cbb3462:active { border:0!important; } .uab0affde9610527d17935ece7cbb3462 .clearfix:after { content: ""; display: table; clear: both; } .uab0affde9610527d17935ece7cbb3462 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uab0affde9610527d17935ece7cbb3462:active , .uab0affde9610527d17935ece7cbb3462:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uab0affde9610527d17935ece7cbb3462 .centered-text-area { width: 100%; position: relative ; } .uab0affde9610527d17935ece7cbb3462 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uab0affde9610527d17935ece7cbb3462 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uab0affde9610527d17935ece7cbb3462 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uab0affde9610527d17935ece7cbb3462:hover .ctaButton { background-color: #34495E!important; } .uab0affde9610527d17935ece7cbb3462 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uab0affde9610527d17935ece7cbb3462 .uab0affde9610527d17935ece7cbb3462-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uab0affde9610527d17935ece7cbb3462:after { content: ""; display: block; clear: both; } READ: Showing the end of the chapter EssayThe opportunity for actors to explore an array of styles is essential to SITIs goal. Both Suzuki and Bogart focus their critiques of contemporary theatre on the limited scope of naturalistic acting. The real kernel at the heart of this whole endeavor, says Bogart, is acting. Suzuki argues that todays fascination with facsimile acting has reduced the potential of theatre: Theres nothing inherently bad about that kind of acting, it just sets a very low goal. Im not sure that theatre arising from such a style will have any importance in the next century. Suzukis training method has become so well-known that actors came from as far away as Australia and Denmark to participate in his rigorous three-week workshop in Saratoga. Bogart and Suzuki hope to expand this kind of global participation, both for artists and audiences, and in doing so they hope to take advantage of the cultural opportunities that have arisen following the cold war. Their manifesto is filled with such enthusiastic idealism: The shrinking planet can potentially enlarge human understanding. Securing the world for peace can also secure world culture for peace and cooperation. Next year, SITI plans to spend four months in residence at Saratoga, beginning with a workshop led by Bogart. She is developing a new piece on American marathon dancing, and Suzuki will be directing his version of King Lear with American actors as well as bringing his Toga company here in a production of Macbeth. Plans also include inviting another company, perhaps from Africa or Eastern Europe, and touring the performances in the U.S. and abroad following their run in Saratoga.